John Cabot University: the Academic Experience

Course Descriptions

Unless otherwise indicated, all courses carry three semester hours of credit. Please note that not all courses are offered every semester or every year. Students should consult with their Academic Advisors to determine the frequency with which courses are offered and preplan their programs accordingly.

Courses numbered 100-299 are freshman, sophomore, or other introductory level courses. Courses numbered 300-399 are junior or senior level courses, requiring background in the material. Courses numbered 400-499 are senior level courses. Students should ensure that they have completed the prerequisites listed at the end of many course descriptions.

Graduate course descriptions

The University reserves the right to cancel courses with insufficient enrollment, and the curriculum is subject to change as a result of ongoing curricular revisions and program development.

Honors Courses

Students who achieve high levels of academic excellence (minimum cumulative grade point average of 3.5) have the option of taking specially designated “Honors Courses.” Please see Course Schedules and Syllabi to see which Honors Courses are currently being offered. Click here to learn more about Honors Courses at John Cabot University

For-Credit Research Assistantships

Students undertaking a for-credit research assistantship have an opportunity to deepen their research skills, while sustaining a more advanced research project in a specific disciplinary area. Research assistants may earn one unit of academic credit (on a P/NP basis) for the completion of at least 45 hours of work. They must complete at least 90% of their work before the end of the semester in which they are registered in order to receive a passing grade. Learn more about For-Credit Research Assistantships

EXP One Credit Courses

These 1 credit courses are designed to provide students with opportunities to acquire useful technical or professional skills, or to engage in academic topics they may enjoy exploring. This particular set of courses aims at encouraging students to think out of the box and break intellectual boundaries. Read through our offerings – which will be updated regularly – and venture into unknown fields! EXP courses can be found in the drop down menu below, grouped under EXP One Credit Courses.

EXP 1 credit courses will normally be offered on four Fridays, designated for each semester. These courses cannot be used to fulfill general distribution requirements, or as Major Electives, or towards the fulfillment of Minor requirements; they can only be taken as general electives. Students can take a maximum of three 1 credit courses within the 120 credit graduation requirement.

Course Search:


CW 205 Creative Writing Workshop: Mixed Genre (Prerequisite: EN 103 or 105 with grade of C or above)

This course provides an introduction to the creative practice of writing fiction, poetry, nonfiction, and stage/screen writing, while probing major issues of literary aesthetics. This course does not satisfy the General Distribution requirement in English Literature.

CW 350 Creative Writing Workshop: Fiction (Prerequisite: EN 103 or 105 with grade of C or above)

The course aims to develop the creative, editorial, and reading habits needed for the production of literary fiction; to develop self-editing skills; and to foster an aesthetic sensibility for use in writing literary fiction. Students will read both contemporary literary fiction and materials related to analyzing and editing literary fiction and participate in a traditional creative writing workshop through in-class writing exercises, reading classmates' fiction, and producing and workshopping their own fiction. Students will compile a portfolio of the work they produce during the term. Students completing this workshop course will be familiar with the skills needed to produce literary fiction, to self-edit work in progress, and to discern the characteristics that make quality literary fiction.

CW 352 Creative Writing Workshop: Creative Nonfiction (Prerequisite: EN 103 or 105 with grade of C or above)

This creative writing workshop is designed to help students develop their writing and editorial skills, as well as the reading habits necessary for the production of works of creative nonfiction. The class will focus upon the creative process and the generation of several different forms within the nonfiction genre including the personal essay, the memoir, travel writing, and the journalistic or magazine profile. Through the examination of superior examples of creative nonfiction, discussions, and critiques, students will become acquainted with the techniques and tools used to build an excellent portfolio of literary and journalistic pieces within the creative nonfiction genre.

CW 354 Creative Writing Workshop: Poetry (Prerequisite: EN 103 or 105 with grade of C or above)

This course aims to develop the creative, editorial, and reading habits needed for the production of poems; to develop self-editing skills; to foster an aesthetic sensibility for use in writing poems. Students will read both contemporary and canonical poetry and materials related to analyzing and editing poems, and participate in a traditional creative writing workshop through in-class writing exercises, reading classmates’ poems, and producing their own poems and discussing them in workshop. Students will compile a portfolio of the work they produce during the term. Students completing this workshop course will be familiar with the skills needed to produce poems, to self-edit work in progress, and to discern the characteristics of quality poetry.

CW 356 Creative Writing Workshop: Writing the Eternal City (Prerequisite: EN 103 or 105 with grade of C or above)

This interdisciplinary writing workshop employs the city of Rome as its muse and offers instruction in several genres of creative writing. By examining a variety of works inspired by the Eternal City, students will learn how to evaluate literature in light of an aesthetic and historic precedent, as well as participate in the long tradition of international writers who have recreated Rome on the page. The course will also problematize Rome, exploring the ancient city’s contemporary contradictions and complexities and the way writers both perpetuate and dismantle certain myths, such as the illusory La Dolce Vita. Writing workshops will acquaint students with the techniques and tools used to critique and incorporate critical feedback into their own revision process. Through studied writing practice and the examination of the Roman setting as a vital literary component, students will generate a final portfolio of textual interpretations in response to the Eternal City.

CW 357 Creative Writing Workshop: Writing Crime Fiction and Thrillers (Prerequisites: EN 103 or 105 with a grade of C or above)

 The course aims to introduce students to the modern, crime fiction genre (and its sub-genres such as police procedural, psych-thriller, and legal/courtroom thriller) focusing on key texts as models for the development of their own short fiction and novel ideas. The course will trace the broad evolution of crime writing from the 19th Century to the present day. While acknowledging the genre’s international reach, the main emphasis will be on texts in English, particularly those from North America, the UK, and Ireland. A central objective of the course is to emphasize and engage with the continuing social and political relevance of the genre, both as a forum for the discussion of contemporary issues and as a means of setting the agenda, particularly in such areas as globalization and crime, human trafficking, modern slavery, cybercrime, political extremism, and femicide. There will also be a sharp focus on avoiding the pitfalls of stereotypical representation of class, ethnicity, and gender by means of thorough research and sensitivity to the nuance of identity.

CW 450 Advanced Creative Writing Workshop: Fiction (Prerequisites: Junior Standing and two previous Creative Writing courses with a grade of B or higher)

This workshop aims to develop advanced creative, editorial, and reading habits needed for the production of literary fiction; to develop self-editing skills; and to foster an aesthetic sensibility for use in writing literary fiction. Students will read both contemporary literary fiction and materials related to analyzing and editing literary fiction and participate in a traditional creative writing workshop through in-class writing exercises, reading classmates' fiction, and producing and workshopping their own fiction. Students will compile a portfolio of the work they produce during the term. Students completing this workshop course will be familiar with the advanced skills needed to produce literary fiction, to self-edit work in progress, and to discern the characteristics that make quality literary fiction.

CW 454 Advanced Creative Writing Workshop: Poetry (Prerequisites: Junior Standing and two previous Creative Writing courses with a grade of B or higher)

This workshop aims to develop the creative, editorial, and reading habits needed for the production of poems; to develop self-editing skills; to foster an aesthetic sensibility for use in writing poems. Students will read both contemporary and canonical poetry and materials related to analyzing and editing poems, and participate in a traditional creative writing workshop through in-class writing exercises, reading classmates’ poems, and producing their own poems and discussing them in workshop. Students will compile a portfolio of the work they produce during the term.

CW 550 Graduate Creative Writing Workshop: Fiction

ADMISSIONS REQUIREMENTS: Current enrollment in an accredited graduate program in Creative Writing OR, for students not currently pursuing a graduate program in creative writing but who wish to receive graduate credit, a bachelor's degree from an accredited institution (transcripts required) and assessment of a significant writing sample or previous publications (See JCU website for application procedures).
COURSE DESCRIPTION: This workshop aims to develop graduate-level creative, editorial, and reading habits needed for the production of literary fiction; to develop self-editing skills; and to foster an aesthetic sensibility for use in writing literary fiction. Students will read both contemporary literary fiction and materials related to analyzing and editing literary fiction and participate in a traditional creative writing workshop through in-class writing exercises, reading classmates' fiction, and producing and workshopping their own fiction. Students will compile a portfolio of the work they produce during the term. Students completing this workshop course will be familiar with the graduate-level skills needed to produce literary fiction, to self-edit work in progress, and to discern the characteristics that make quality literary fiction.

CW 554 Graduate Creative Writing Workshop: Poetry

ADMISSIONS REQUIREMENTS: Current enrollment in an accredited graduate program in Creative Writing OR, for students not currently pursuing a graduate program in creative writing but who wish to receive graduate credit, a bachelor's degree from an accredited institution (transcripts required) and assessment of a significant writing sample or previous publications (See JCU website for application procedures).
COURSE DESCRIPTION: This workshop aims to develop the graduate-level creative, editorial, and reading habits needed for the production of poems; to develop self-editing skills; to foster an aesthetic sensibility for use in writing poems. Students will read both contemporary and canonical poetry and materials related to analyzing and editing poems, and participate in a traditional creative writing workshop through in-class writing exercises, reading classmates’ poems, and producing their own poems and discussing them in workshop. Students will compile a portfolio of the work they produce during the term.

CW/AS 358 Creative Writing and Studio Art Workshop (Prerequisite: EN 103 or 105 with grade of C or above; Co-requisites: Recommended: previous coursein Creative Writing)

This is a workshop exploring the overlap of creative writing and art and design where students will engage with the materiality of words and the metaphorical nature of materials. Students will workshop their own writing and will experiment with different methods to construct small collections of writing. Students will acquire methods of DIY publishing and learn to disseminate their work in a novel way.

CW/DJRN 326 Creative Writing Workshop: Food Writing (Prerequisite: EN 110 with a grade of C or above)

Food Writing is an excellent way to explore identity—whether personal, cultural, or national. This creative writing workshop will examine Food Writing in its various professional forms including personal narratives, culinary memoir pieces, researched historical food articles, restaurant reviews, as well as cookbooks and recipes themselves. The Rome setting will also play a gastronomic role as both classroom and collateral textbook. Students should be prepared to visit local markets, restaurants, and locales around the city and come armed with a willingness to explore not only new foods and ingredients, but various subgenres of writing. In addition to eating and writing, reading will also be emphasized. Not only will students examine what is on “on the menu” or being written about today, but they will also gain a clearer understanding of the role of gastronomy in historical literary precedents. Classes will take the form of workshops offering instruction in the mechanics, research, drafting, and editing of professional food writing pieces with the goal of helping writers generate works of publishable quality while developing their particular style and voice.

CW/DJRN 326 Creative Writing Workshop: Food Writing (Prerequisite: EN 110 with a grade of C or above)

Food Writing is an excellent way to explore identity—whether personal, cultural, or national. This creative writing workshop will examine Food Writing in its various professional forms including personal narratives, culinary memoir pieces, researched historical food articles, restaurant reviews, as well as cookbooks and recipes themselves. The Rome setting will also play a gastronomic role as both classroom and collateral textbook. Students should be prepared to visit local markets, restaurants, and locales around the city and come armed with a willingness to explore not only new foods and ingredients, but various subgenres of writing. In addition to eating and writing, reading will also be emphasized. Not only will students examine what is on “on the menu” or being written about today, but they will also gain a clearer understanding of the role of gastronomy in historical literary precedents. Classes will take the form of workshops offering instruction in the mechanics, research, drafting, and editing of professional food writing pieces with the goal of helping writers generate works of publishable quality while developing their particular style and voice.

CW/DJRN 346 Creative Writing Workshop: Travel Writing (Prerequisite: EN110 with a grade of C or above)

This creative nonfiction workshop explores the long tradition of travel writing, fostered by the keen observation and thoughtful documentation of landscape and culture that travel inspires. Students will gain exposure to several subgenres encompassed by the term travel writing including, but not limited to, the travel memoir, the travel essay, guidebooks, and food and humor pieces that tandem as travel writing. The course offers instruction in the research and mechanics of travel writing aimed at the generation of articles and essays for newspapers, magazines, guidebooks, the Internet, as well as how to begin drafting ideas for longer-form works.

CW/DJRN 346 Creative Writing Workshop: Travel Writing (Prerequisite: EN110 with a grade of C or above)

This creative nonfiction workshop explores the long tradition of travel writing, fostered by the keen observation and thoughtful documentation of landscape and culture that travel inspires. Students will gain exposure to several subgenres encompassed by the term travel writing including, but not limited to, the travel memoir, the travel essay, guidebooks, and food and humor pieces that tandem as travel writing. The course offers instruction in the research and mechanics of travel writing aimed at the generation of articles and essays for newspapers, magazines, guidebooks, the Internet, as well as how to begin drafting ideas for longer-form works.

CW/DJRN 350 Creative Writing Workshop: Fiction (Prerequisite: EN 103 or 105 with grade of C or above)

The course aims to develop the creative, editorial, and reading habits needed for the production of literary fiction; to develop self-editing skills; and to foster an aesthetic sensibility for use in writing literary fiction. Students will read both contemporary literary fiction and materials related to analyzing and editing literary fiction and participate in a traditional creative writing workshop through in-class writing exercises, reading classmates' fiction, and producing and workshopping their own fiction. Students will compile a portfolio of the work they produce during the term. Students completing this workshop course will be familiar with the skills needed to produce literary fiction, to self-edit work in progress, and to discern the characteristics that make quality literary fiction.

CW/ITS 358 Creative Writing Workshop: The Art of Literary Translation (Prerequisite: EN 103 or 105 with a grade of C or above; Italian studies majors should also have completed IT 301 to take this course.)

This course aims to develop the creative, editorial, and reading habits needed for literary translation; to develop an awareness of the theories associated with the practice of translating a work of literary excellence from one language into another; to foster an aesthetic sensibility for use in literary translation. Students will read and discuss theoretical texts and will create their own translations of works by authors that will be chosen by each student. These translations will be presented to the class in a traditional workshop format, with emphasis on analysis of the difficulties posed by the chosen text(s) and a justification for the choices made in rendering the texts into English. Students will compile a portfolio of the translations they produce during the term, having become familiar with the skills and sensitivities needed to translate works of literary merit and to discern the characteristics of quality literary translation.

CW/ITS 458 Advanced Art of Literary Translation (Prerequisites: Junior Standing and two previous Creative Writing courses with a grade of B or higher)

This advanced course aims to develop the creative, editorial, and reading habits needed for literary translation; to develop an awareness of the theories associated with the practice of translating a work of literary excellence from one language into another; to foster an aesthetic sensibility for use in literary translation. Students will read and discuss theoretical texts and will create their own translations of works by authors that will be chosen by each student. These translations will be presented to the class in a traditional workshop format, with emphasis on analysis of the difficulties posed by the chosen text(s) and a justification for the choices made in rendering the texts into English. Students will compile a portfolio of the translations they produce during the term, having become familiar with the skills and sensitivities needed to translate works of literary merit and to discern the characteristics of quality literary translation.

CW/ITS 558 Graduate Workshop in the Art of Literary Translation

ADMISSIONS REQUIREMENTS: Current enrollment in an accredited graduate program in Creative Writing OR, for students not currently pursuing a graduate program in creative writing but who wish to receive graduate credit, a bachelor's degree from an accredited institution (transcripts required) and assessment of a significant writing sample or previous publications. (See JCU website for application procedures)
COURSE DESCRIPTION: This graduate course aims to develop the creative, editorial, and reading habits needed for literary translation; to develop an awareness of the theories associated with the practice of translating a work of literary excellence from one language into another; to foster an aesthetic sensibility for use in literary translation. Students will read and discuss theoretical texts and will create their own translations of works by authors that will be chosen by each student. These translations will be presented to the class in a traditional workshop format, with emphasis on analysis of the difficulties posed by the chosen text(s) and a justification for the choices made in rendering the texts into English. Students will compile a portfolio of the translations they produce during the term, having become familiar with the skills and sensitivities needed to translate works of literary merit and to discern the characteristics of quality literary translation.

DJRN/CW 329 Writing Criticism

This course offers the student practical and theoretical experience in the field of cultural criticism and writing reviews for print and online publications. Topics will include looking at the history of criticism and the review, critical theory, analyzing a work of art, research, different forms of writing, pitching articles to publications and the craft of writing itself. Students are required to read critically and spend class time in lectures, discussions and workshops. Students will have the opportunity to develop straightforward review writing skills as well as more critical and nuanced essay/long form criticism skills. Students will develop a criticism project, pitch an idea to a publication and write short and long form essays.

DMA/CW 334 Writers’ Workshop: Screenwriting for Episodic Television (Prerequisite: EN 110 with a grade of C or above)

Writers' Room is an immersive workshop-style course that places students in the shoes of a television writer working to break a season's worth of story and write a screenplay that advances the program's plot and develops its themes while maintaining characterization and tone consistent with the vision of the showrunner. Students will learn how to pitch ideas, collaborate with others writers (giving and taking notes) and express themselves in the voice of the show. The course covers the economic, historical, and aesthetic foundations of contemporary television writing and production and will prepare students to evaluate, develop, and pitch series ideas for episodic television, evaluate and develop episode ideas in a collaborative working environment in line with the tone of the show and produce effective written material (pitches, summaries, show bibles, screenplays) that adhere to professional standards.

DMA/CW 348 Creative Writing Workshop: Screenwriting (Prerequisite: EN110 with a grade of C or above)

This creative writing workshop helps students to develop the creative, editorial and reading skills needed for the production of a screenplay, based on the following principles: focus on visual story telling using minimal dialogue, introduction to story analysis using published screenplays and clips, and the exploration of narrative development. Material will be presented in the form of lectures, discussions, handouts, writing exercises, as well as screenings. In the context of a creative writing workshop, students will complete in-class and at home writing exercises. Students will also be required to provide their fellow writers with thorough feedback. Finally, students will pitch ideas in preparation for a full script, to be presented and critiqued at the end of the term.

M-CW 356 Creative Writing Workshop: Writing the Eternal City (Prerequisite: EN 110 with a grade of C or above)

This course aims to develop the creative, editorial, and reading habits needed for the production of poems; to develop self-editing skills; to foster an aesthetic sensibility for use in writing poems. Students will read both contemporary and canonical poetry and materials related to analyzing and editing poems, and participate in a traditional creative writing workshop through in-class writing exercises, reading classmates’ poems, and producing their own poems and discussing them in workshop. Students will compile a portfolio of the work they produce during the term. Students completing this workshop course will be familiar with the skills needed to produce poems, to self-edit work in progress, and to discern the characteristics of quality poetry.